••home

••works
•••••list by genre

•••••alphabetical list
•••••chronological list

–––––––––––––––––––––––

••PSALM 100

•••••score & audio examples

•••••purchase

•••••program notes

•••••press/reviews

 

cindy mctee

PSALM 100
for a cappella chorus SSAATTBB

1982
5 minutes


score & audio examples

Psalm 100
beginning


purchase/rent

for information, perusal materials, sales, or rental, please visit



program notes

Dedicated to Maurice Skones and Pacific Lutheran University's Choir of the West, Psalm 100 (1982) is a diatonic, tripartite work for a cappella chorus of mixed voices. The work was first performed by the Choir of the West in 1983 while on a tour that included a concert at the National Conference of the American Choral Director's Association in Nashville.

According to Melinda Bargreen of the Seattle Times, "[Psalm 100] is a gorgeous piece of choral writing, vividly dramatic and highly complicated, with convoluted textures resolving into a consonance that sounds as if the gates of heaven had opened."

In section I of Psalm 100, the first sopranos and first tenors sing a melody against an accompaniment consisting of an expanding contrapuntal texture. After the chorale of section II, section III presents both homophonic and polyphonic textures simultaneously. The work ends with a "joyful noise" as the texture thickens to include as many parts as singers.

press/reviews

[Psalm 100 ] is a gorgeous piece of choral writing, vividly dramatic and highly complicated, with convoluted textures resolving into a consonance that sounds as if the gates of heaven had opened.

Melinda Bargreen
The Seattle Times